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英美文学中的戏剧性

2018-06-15 09:48 编辑:admin 来源:代写论文 浏览:
现代的一个英美文学的戏剧性是属于,一种独白特征传承于中世纪,并且随着英美文学的发展,戏剧性独白沉淀与英美文学作品当中,成为了英美文学一个独特的发展传统。英美文学中的戏剧性独白,是注重对诗歌中一些人物的性格和情感进行体现,这个样子就能够不断的增加英美文学的一个表现力,在我们研究和学习英美文学的一个过程中,是需要对戏剧性的独白的一个把握,以此来分析英美文学中的一个艺术之美。
The dramatic monologue of a modern British and American literature is inherited in the middle ages, and with the development of British and American literature, the dramatic monologue and British and American literature have become a unique development tradition of British and American literature. The dramatic monologue in British and American literature focuses on the embodiment of the character and emotion of some of the characters in the poetry, which can constantly increase the expressive force of the British and American literature. In the process of studying and studying British and American literature, it is a need for a grasp of the dramatic independence in order to analyze Britain and the United States. The beauty of art in literature.
  The conceptual analysis of 1 dramatic monologues
In the process of defining the concept of dramatic monologue in British and American literature, the academic circles have not formed a unified conclusion at present, but from the view of the academic materials consulted, the definition of the dramatic monologue is mainly embodied in two aspects: on the one hand, the dramatic monologue reflects the genre of British and American literature, that is, a genre of British and American literature; On the other hand, from the literal character of the dramatic monologue, it includes two aspects of "drama" and "monologue", which can be understood as the combination of drama and lyric. To understand the concept of dramatic monologue and to integrate into the history of the development of British and American literature, from the angle of British and American literature, it is easier to grasp the concept of dramatic monologue, so as to better feel the characteristics of the dramatic monologue in British and American literature.
Dramatic monologue appeared in 1857, by poet Thorne bury in the Knights of the Knights and round heads. By 1886, dramatic soliloquy was widely recognized and authoritative. Since 1886, dramatic monologue has been officially used in British and American literature. In the process of dramatic monologue, some writers think that the "I" in the work is not the author, so as to cut off the connection between the works and the writers. This extreme idea lacks the overall cognition of the dramatic monologue and is not conducive to the grasp of the connotation of the dramatic monologue. The understanding of the dramatic monologue should pay attention to the combination of the characters in the works, the personality of the characters, the combination of drama and lyric, in order to enhance the appeal of the works.
The characteristic analysis of 2 dramatic monologues
Dramatic monologue has its own characteristics in British and American literary works, which is closely related to the development history of dramatic monologue. From the perspective of the nature of dramatic monologue, it emphasizes "drama" and "monologue", and focuses on grasping the plot so as to show the author's feelings. The main features of the dramatic monologue in British and American literature include the objectification, the separation of the author and the speaker, the prominent character and the heart of the character image, and the specific content, as shown in the following analysis.
 2.1 objectification
From the British and American literature, in the dramatic monologue, the speaker uses the article to collect and collate a person in the thesis network http://www.lw54.com to make the literary works highlight certain subjective characteristics. But this subjectivism is not the subjectivity of the author, but based on the work itself, telling the content by the viewpoint of the protagonist, the speaker. At the same time, dramatic monologue in British and American literature achieves the analysis of the speaker and the author, which makes dramatic monologue highlight the objectivity characteristic of [1].
2.2 portrayal of character and heart
In British and American literary works, the author expresses his emotions by using the speaker, and the speaker's expression is more dramatic. The speaker and the author are separated from each other in the process of content expression, so that the speaker can express his thoughts and highlight the speaker's character better. Therefore, in British and American literature, the character and the inner world of the characters can be reflected by the use of the dramatic monologue, which can make the readers of the viewing works better contact with the speaker and feel the inner world of the speaker. In addition, the expression of "I", with a stronger sense of substitution, can make readers feel more intuitively about the connotation of the dramatic monologue, and make the readers and the speaker have an emotional resonance, which is of great significance to the character and the inner world.
2.3 the separation of the author from the speaker
The dramatic monologue highlights the characteristics of a "double voice", and the "double voice" is the author and the speaker, which embodies the characteristics of the separation of the dramatic monologue and the speaker. In the English and American literary works, my Duchess of the former, the protagonist's voice can be heard, and the author's voice can be heard. The separation between the author and the speaker makes the English and American literary works emotional expression, on the one hand, into the author's personal feelings; on the other hand, it reflects the emotion and reality reflected in the work itself. The separation of the writer and the speaker of the dramatic monologue makes the dramatic monologue unscramble the multiple space and make the connotation of the literary works highlight the "pluralism" characteristic of [2].
3 the manifestation of dramatic monologue in British and American Literature
The grasp of the dramatic monologue in British and American literature should pay attention to the analysis of its characteristics from the specific works. In combination with the types of British and American literary works, the characteristics of the dramatic monologue are embodied in lyric poetry, letter poetry and resentful poetry.  About the expression of dramatic monologue in British and American literature, as shown in the following analysis:
  3.1 dramatic monologue the lyric poem
British and American Literature in dramatic monologue lyrics more highlight the speaker's emotion, emotional tone. For example, in the "dramatic lyrics", the nature of the dramatic monologue elaborated clearly. Browning believes that although some of the lyrics to the lyric, but from the point of view of the essence of lyric poetry, which reflects the dramatic. In dramatic lyrics first person is fictional, with the help of a fictional character, the content of literary works reflected one by one. Browning believes that in the process of distinguishing dramatic monologue, if there is no explicit expression of the writer himself in the poetry, the poem can be regarded as a dramatic monologue, and conversely, it can be regarded as a lyric poem. Grasp in the process of dramatic monologue of lyric poems, should pay attention to whether around the poetry reflects the dramatic, in order to judge the genre. In the study of the dramatic monologue embodied in lyric poetry, Browning named the works "dramatic" in his poems, such as "dramatic pastoral poetry", "dramatic spokesperson" and so on, and expounded the dramatic monologue in lyric poetry. Browning affirms the application of dramatic monologue in lyric poetry, and believes that lyric poetry and dramatic monologue have a close relationship. With the help of dramatic monologue, the emotion of poetry is better reflected, and it can make readers feel the connotation of dramatic monologue better [3]. The dramatic monologue embodied in lyric poetry revolves around the key point of "Lyric", with the help of the dramatic description to make the emotional expression more specific and more realistic, in order to arouse the resonance of the readers.
Dramatic monologue in the poem of 3.2 letters
The letter poetry occupies an important position in the history of British literature, this letter poems mainly by way of letters of the content of the story. In the process of emotional expression, the letter poetry embodies the delicate feeling and the love of the protagonist, but this expression means that "I" replace the author and embody the author's emotion. For example, "Octavius to Anthony", Octavius the poetry the way to her husband asked why husband doesn't love you. Daniel wrote poems, the author and speaker were separated very well reflects the letter poem contains emotion.  Dramatic monologue performance poems, to express the emotion more third party perspective. In this expression, the author itself is the third one, and the "I" in the letter poem reflects the author's opinion of the emotion, and has carried out an effective expression of the emotion contained in the poem by the help of "I". The classical poetry is the inheritance of the dramatic monologue, and the typical representative is "Erosa's letter to Bella". The distance between the poet and Rosa in this poem embodies the characteristics of the dramatic monologue. In the work, a rational exploration of the relationship between human nature and religion is carried out, and the author's inner thoughts are expressed in a dramatic monologue, which makes the whole work better highlight the author's emotional attitude.
 
 
4.2 sound utterances
 
The dramatic monologue in British and American literature requires the writer to withdraw from the stage and let the actors perform all kinds of characters in the song and dance, and the monologue is the first person's identity.
 
4.3 create character image
 
In British and American literature, the creation of characters can not be separated from the monologue of characters, which makes the characters more vivid. As a great writer, Shakespeare really achieved the coordination of subjectivity and objectivity in the process of using words to depict characters. In the process of using the language, he expressed the real psychological activity of Lear in detail with real facts, showing his despotic tragedies in the monologue of King Lear. From the perspective of literary education, we can read the monologue in Shakespeare's literary works and feel their literary charm. For example, the literary masterpiece of "Resurrection" is carried out through the engrudge between the hero and the heroine, Nie hudoff and Mars Lo Va, to explain the truth, goodness and beauty for the readers. The story begins with the merciless of Nie hiridoff's merciless Mars Lo Va. The heroine has become a prostitute from the original pure maiden. The hero eventually realizes his own mistakes. At the same time, he redeems the heroine who has been framed and saved the two souls, showing the wide nature of human nature while redeeming herself.  Excuse me. When the heroine was framed, the hero's monologue in the visit was deeply rooted in the heart, the heroine's monologue, showing the love and revenge with the hero, portrayed the heroine. At the beginning of the story of King Lear, King Lear hopes to determine how much land his daughters have love to their own daughters to decide how much land they will finally give them, as their dowry, which is the fuse of all the problems. Then, his daughters responded, but from a linguistic point of view, in the dialogue between King Lear and his eldest daughter, Lille, and the two daughter, Reagan, they were in violation of the principle of quality. When they told their father about the depth of their love for him, both Lille and Reagan spoke too much. It is no longer respecting the principle of quality, because in essence, it is impractical and illusory. The two daughters said they were the same as their eldest sister, but they were more thorough than their older sister. This exaggeration is full of hypocrisy, and the development of story plots also shows this. As well as the work of "Anna and Karenina", in the monologue of Anna and Karenina, it is correct to highlight the pursuit of love, and the spirit of his resistance is strong and powerful. This article depicts the resolute image of the heroine, and refutes from the side objectively and rationally the remarks that despise women, praises freedom and publicizes equality among all.

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